CHIGIANA
Journal of Musicological Studies
Vol. 51 (2021)
Re-envisaging Music: Listening in the Visual Age
edited by Antonio Cascelli and Christopher Morris
Antonio Cascelli – Christopher Morris (Maynooth University, Ireland)
Introduction
LISTENING AND LOOKING
SPECTATORSHIP
Julia Freund (Justus-Liebig-Universität Gießen)
Beethoven’s Appassionata in the Tube. Conflicting Temporalities in Graphically Animated Music Videos
Nicolò Palazzetti (Università “Sapienza” di Roma)
Backstage Live. Opera and Obscene in the Visual Age
Jacopo Tomatis (Università di Torino)
La popular music in una prospettiva transmediale: il caso della trap in Italia
SITES AND BODIES
Maria Rosa De Luca – Giuseppe Sanfratello (Università di Catania)
‘Sounding’ the Space: Soundscape and Construction of the Imaginary
Jessica Stearns (University of North Texas)
Between Site-Specific and Sound Installation: The Multisensory Experience of Andrew May’s Unset
Thomas R. Moore (University of Antwerp and Royal Conservatoire of Antwerp (ARIA)
Image of the Conductor: A Case Study of Simon Steen-Andersen’s AMID
TRADITIONS
Jeroen van Gessel (State University Groningen, The Netherlands)
«Da ward mein Auge wach»: Filmed Performances of Schubert’s Winterreise and the Tradition of Visualizing Schubert’s Songs.
Christopher Smith (Vernacular Music Center, Texas Tech University)
Against the Grain and Out Yonder: Decolonizing the Music Conservatory via Vernacular Pedagogies
Joseph Wong (Hong Kong Composers’ Guild)
Re-envisaging Chinese Instrumental Music: The Use of Pre-existing Music in Post-war Hong Kong Costume Drama Films
MOVING IMAGES
Matteo Quattrocchi (Università di Verona)
Il passato come «avvenir migliore»: sovrimpressioni mediali nella Traviata di Lazar
Henry Balme (Yale University)
Between Music and Painting: Walter Ruttmann’s Opus Films
Giacomo Albert – Gianfranco Vinay (Università di Bologna – Université Paris 8)
Nei deserti di Varèse e di Viola